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Some of the 135 objects have never before been exhibited outside China. Art Gallery of New South Wales director Dr Michael Brand said the Gallery is extremely privileged to host such an extensive range of precious Chinese treasures. For the first time, Australian audiences are able to appreciate the high artistic achievements and rich history of this golden age of China as Tang: treasures from the Silk Road capital opens at doctor home loan Oak Laurel 0430129662 the Art Gallery of New South Wales. Tang is the third exhibition from the Shaanxi Province to be held at the Gallery following the very successful Qinshihuangs terracotta warriors and horses in 1983 and The First Emperor: Chinas entombed warriors in 2010-11, Brand said. There are many people to thank for making this exhibition possible, but in particular I wish to thank Cheng Jianzheng, former director of the Shaanxi History Museum, whose meeting with me in Sydney in 2012 was not only the inspiration for this exceptional project, but the first meeting I had with home loan for doctor Oak Laurel 0430129662 an international museum director after I started at the Gallery, Brand added. While Europe was still in the Dark Ages, the Tang Empire (618-907) became the richest and most powerful realm in the world. At the heart of the Tang Empire was its capital city, Changan (present day Xian). Home to one million people and situated at the start of the famous Silk Road trade route, this cosmopolitan metropolis was renowned as a city of great wealth, cultural diversity and religious devotion. Tang: treasures from the Silk Road capital focuses on life in Changan during the Tang Empire. Each of the artefacts in the exhibition carries a story from this extraordinary city: from the elevation of tea drinking to an art form; the booming artisanship in gold, silver and ceramics; to great innovations in Chinese fashion and music. The works on display in Tang: treasures from the Silk Road capital demonstrate exceptional craftsmanship and storytelling power including a 9th-century tea grinder that belonged to Emperor Xizong; an early 8th-century mural from the walls inside Prince Jiemins tomb; and a Hayagriva statue from the site of the Anguo Monastery, one of the important Buddhist centres of the late Tang dynasty, curator of Chinese art at the Art Gallery of NSW, Yin Cao said.

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